Ottawa


The Mayfair
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The Carer

Friday, December 2 -  
Thursday December 8, 2016
Note: No Show on Tuesday, December 6

Directed by János Edelényi

   
(UK, 2016)
89 Minutes
 

The "Carer" opens with two elderly individuals dancing on an immense lawn. We know we are in for a treat.

Sir Michael Gifford (talented Scottish Actor Brian Cox), was a  Shakespearean star.  We meet him when he is plagued by the onset of Parkinson's.   He's old, grouchy, bitter and can hardly move.

Sir Michael lives in a big mansion and rants and raves at his former "secretary"/secret flame Milly (Anna Chancellor) and his daughter Sophia (Emilia Fox).  They form part of a small committee that hires his care givers. None of the would-be employees lasts long. Sir Michael fires them all... that is, until he encounters Dorottya, a young Hungarian actress, Dorottya () who challenges him. The very old and the very young actually make a great pair. 

Joseph (Karl Johnson) is the gentle chauffeur/gardener who delivers Dorottya in a Rolls-Royce to the residence.  Dorottya:  "I am told he's difficult."  Joseph: "He's not difficult, he's bloody impossible."

Life isn't easy when you are old and leak from all orifices.  We get to know more than we might desire about the ravages of old age, but the film is delightful.

When Sir Michael receives a Lifetime Achievement Award from the Critic's Guild, his acceptance speech is superb.   It's intercut with  shots in a senior's care home where Sir Michael recently performed. What Sir Michael says relates directly to those in the retirement residence.  He encourages them to live a good life and enjoy what they have.

Sir Michael says, " Acting is not what we do, it's what we are."
 

Review by Lois Siegel
Trailer

ByTowne Cinema
 325 Rideau St.
(613) 789-Film

Sing Street

Directed by John Carney
(Ireland/UK/USA, 2016)
106 minutes

Dublin 1985

Jobs are scarce. Families have to make tough decisions.
Conor (Ferdia Walsh-Peelo) is 14.  His parents tell him he has to transfer to another school - run by Christian Brothers. It's a rough school full of bullies, and the Headmaster loves rules - the kind that make no sense. They are just rules to be rules and to keep control over young boys.

Conor meets a young lady who is older - Raphina (Lucy Boynton).  He instantly falls in love...so he lies. He tells her he has a band and would she be in a video.   She says "yes"... so he has to quickly form one.


                 Connor and Raphina

The great thing about this film is the characters: one short kid with red hair becomes the band production manager. His accent is thick and difficult to understand, but he's terrific.  Another kid auditions and can play every instrument, including bagpipes. We see him picking up one instrument after another and performing. He sports gigantic glasses that take up most of his face.  We know we're in the 80's.  There are two younger boys and a black guy. "He must play something, he's black."  The casting is excellent.


         
   Conor and Eamon

The band becomes "Sing Street" - a Futurist band. 
Conor composes music with the help of Eamon (Mark McKenna).  The music is surprisingly good. The film is a great quiet revolution piece of them versus us - the kids against the Christian Brothers and the bullies.  One bully is extremely nasty. We understand why when we hear his father bullying him.

"Sing Street" practices after school. The scene cuts to Eamon's mother in her bedroom putting batteries in her vibrator. There's constant humor.

The cassette recorder they use for taping is large and old. You could throw it down the stairs, and it would still work. When someone says, "But we don't know how to play as a band," the next comment is "Do the Sex Pistols know how to play?"


"The Riddle of the Model Tune" is ready to be videotaped.  Raphina knows about makeup, the film has been storyboarded. The shoot is on. Each lyric is another shot. It's a fun film.


Reality hits: Raphina has a boyfriend. He's older and has a car... a constant irritation for Conor.

Conor's older brother Brendan (Jack Reynor), a stoner, gives him advice on what vinyl records to listen to and girls..."No woman can truly love a man who listens to Phil Collins."

Conor gets his revenge when his band plays at the Christian Brothers School. "Sing Street" is about a "boy meets girl," but it's also about rebellion.

Rotten Tomatoes gave "Sing Street a 97% rating.  This is a charming coming - of - age film - not to be missed.

Note:  John Carney has directed some excellent music-themed films.
"Once" and "Begin Again." "Sing Street" should be added to the list.
  

Music by The Cure, Duran Duran, The Clash, Hall & Oats and more....                    

Review by Lois Siegel
Trailer


IMAX
Museum of History
100 Rue Laurier
Gatineau, Quebec

(USA, 2015)
47 minutes

Directed by Brian J. Terwilliger
Voice: Harrison Ford

In the Mojave Desert (California), there is a graveyard of airplanes.  History has only known airplanes for some 200 years. Birds could fly. Why couldn't man.  In 1903, Wilbur and Orville Wright did just that with the Kitty Hawk, their first powered aircraft. 

In the world before the airplane, we didn't know the true size of a planet. There was no transportation. "Living in the Age of Airplanes" takes us on a journey of 200,000 years to the present. In ancient times, we would travel not more than 20 miles in a year from home.  We didn't know about other people. Walking was our mode of transportation.

The wheel was a great breakthrough. Wheels were attached to carts attached to animals. Then the steam engine was created. A steam engine on wheels moved faster: the train.  Steam engines also powered ships. Before we had airplanes, ships were the only way to travel the globe, but the journey by ship required months or even years. There was the car, but a plane could cross land and sea. It liberated us from the ground.

There are 100,00 take offs and landings per day now.

Airplanes affect commerce. We live in an international community. Perishables are flown around the world every day, such as roses that have a 14 day life span.  Airplanes can deliver merchandise quickly.

For thousands of years, flying was just a fantasy. Who would have thought that hundreds of people could move so fast in a container at 35,000 feet.

"Living in the Age of Airplanes" is visually interesting and is definitely worth seeing. It was filmed in 18 countries across all seven continents. 

And you will be happy to know that "No airplanes were harmed
 in the making of this film."

Review by Lois Siegel
Trailer

https://i.ytimg.com/vi/is94VGbxXeQ/maxresdefault.jpg
IMAX

Museum of History
100 Rue Laurier
Gatineau, Quebec


Directed by Louis Schwartzberg

http://movies.nationalgeographic.com/u/TvyamNb-BivtNwpvn7Sct0VFDulyAfA9wBcU0gVHVnqC5ghoK8WYwXKbRSUkfpUiQnC-Qkmh4RcCiCTXLAo/

There lives a fascinating world beyond what we can see
with our own eyes. Special instruments are required
to view the intricacies of what is actually there.  
This invisible world is microscopic.
It may move very quickly or very slowly.
There may be light waves that bounce off objects.

Time lapse images allow us to see constant changes.
High speed cameras can be used
to capture details, recording fast-moving objects,
and then they can be played back in slow motion.

The images tell the story.


http://media.utsandiego.com/img/photos/2013/11/07/mosquito_eyes2_r620x349.jpg?75d51d0aea2efce5189afce216053cbc530c46a8 
Produced by National Geographic Entertainment
and narrated by Forest Whitaker, 

“Mysteries of the Unseen World” is worth seeing.
The film gives you a new perspective on the world around you.
The Museum of History now has Digital Projection: a New Laser 4K
 

https://s-media-cache-ak0.pinimg.com/736x/94/e7/6b/94e76ba0dd7a0f0586b97efdd6f1de61.jpg

Review by Lois Siegel
Trailer

ByTowne Cinema
 325 Rideau St.
(613) 789-Film

Where to Invade Next

Directed by Michael Moore
( USA, 2016)
120 minutes

It's been six years since Michael Moore released a film. According to Moore, "Where to Invade Next"  was shot entirely outside the USA.  The exception is stock shots from archives.

This is definitely one of his films you should see. You will learn some interesting things about how other people live in other countries: extensive paid vacations, paid honeymoons, two-hour lunches for factory workers, education alternatives (serious sex talk),  and no homework for students. Brains have to relax. Some institutions have even banished standardized tests. In one city, all schools are the same. No private schools. In the U.S.A., Moore insists, school is a business.

One of Moore's opening statements: Why do Italians look like they always just had sex? Is it because there is less stress in their lives?

Moore says he wants to take the best ideas he discovers abroad back to America.

One enticing idea is unveiled in Normandy, France. Gourmet food is served at tables set with real china in an elementary school cafeteria. There's camembert cheese and lamb skewers or chicken; scallops with sauce, or fillet of cod, and fruit for dessert. There are no vending machines.

In Slovenia, students at one college have no debts.  Essentially, education is free. Some U.S. students have caught on to this and are attending. One hundred courses are taught in English.

In Germany, a pencil factory actually has windows, letting in good light. The owner doesn't want ill workers. His employees are on the Board of Directors and often propose good ideas for change. "That's the key to success," he says.

Moore states that the U.S. hides from their sins. It's a country built on the backs of slaves.

And we are shown a prison in Norway that focuses on rehabilitation. Prisoners are not locked in.  We see a murderer making food in a kitchen where there are knives on the wall. He's using one. There are 115 inmates with only four guards who don't carry guns.  The prisoners'  punishment is a loss of freedom, but they are being helped to return to society. The 'residents' take classes. There's a library and a recording studio. Creativity is encouraged. Prisoners also have the right to vote. In the States, Moore, explains, 80% of prisoners are re-arrested. In Norway, only 20% are.

It doesn't matter if you are a fan of Michael Moore or not. This film is worth seeing. It's good to discover there are other ways of doing things.

Review by Lois Siegel
Trailer
 


The Mayfair
1074 Bank St.
(Directions)

A Perfect Day

Directed by Fernando Leon de Aranoa
(Spain, 2015)
106 Minutes


Somewhere in the middle of the Balkans, suspended between war and peace, there are very few perfect days.  A "cease fire" doesn't mean much here. It's the last days of the Bosnian War.

If you work for "Aid Across Boarders," you don't carry a gun,
but there is danger everywhere: rebels, roadblocks, treacherous, narrow, winding roads with deadly drop offs, and dead cows booby-trapped with land mines ... you get the picture.

Benicia de Toro and Tim Robbins star as "crazy" and "crazier"
in a film that will move you to tears and then have you rolling over in laughter. 

Military convoys are targets for attacks.  You have to stay away from them.  "Cities" have been bombed out, walls are inscribed with nice sayings, such as "Welcome to Hell," and there are young kids with guns.

The centre of the story is an obese corpse in a deep well. It will contaminate the water that people need if it isn't removed, but this is not an easy feat. There are few supplies. It's even difficult to find a length of rope.  But the people in the countryside need help. They become your family, so you go to great lengths to do exactly that.

"A Perfect Day" received a 10-minute standing ovation at Cannes.  That should tell you something.

The music in the film is timely and perfect for each setting.
Check out the lyrics by Lou Reed at the end of the film.
"There Is No Time."

This is no time for celebration
This is no time for shaking hands
This is no time for backslapping
This is no time for marching bands

This is no time for optimism
This is no time for endless thought
This is no time for my country right or wrong
Remember what that brought

There is no time....

Review by Lois Siegel
Trailer

ByTowne Cinema
 325 Rideau St.
(613) 789-Film
 

Spotlight

Directed by Tom McCarthy
(USA, 2015)




Based on a true story, “Spotlight” retraces the steps of a team of Boston Globe reporters as they investigate allegations that the Catholic Church is covering up the abuse of children.  Priests, who are discovered accused as being predatory, are merely transferred elsewhere or put on “sick leave.”

In Boston 2001, the church was feared and respected, so evidence of wrongdoing was routinely disregarded. The Globe’s new editor, Marty Baron (Liev Schreiber), wanted to change this and went after the church. This was a risky move since 53% of their readers were Catholics.

When the facts revealed that at least 80 children had been abused, many more victims came forward. Typically, the children came from troubled, low income families, often with absentee fathers.  Priests befriended lonely kids and then took advantage of them. Private settlements were made with the church, and no records were kept. Lawyers, police, and journalists conspired to keep things quiet.

Spotlight is definitely a film to see. It's engaging and tells the story clearly.


Oscar nominations: Best Picture, Best Director (Tom McCarthy), Best Supporting Actor (Mark Ruffalo), Best Supporting Actress (Rachel McAdams),
Best Original Screenplay, and Best Film Editing.

Running time: 128 minutes

Review by Lois Siegel

Trailer

ByTowne Cinema
 325 Rideau St.
(613) 789-Film 

The Big Short

 


Directed by Adam McKay
(USA, 2015)

In 2007, thousands of people lost their homes during the U.S. mortgage housing crisis. The banks gave almost anyone a loan, even though they knew this was risky. Bad loans were hidden inside prime quality bonds, assuming that the banks behind the bonds were “too big to fail.”  Greed ruled. Some people started to realize that this bubble would burst.  They recognized that the banking system was unstable and widely corrupt, so when nobody would listen, they placed bets against it, making millions of dollars.

What happens when five million people are unemployed? Who pays the mortgages? Alan Greenspan, American economist and Chairman of the Federal Reserve, didn’t like regulation, but he finally admitted that he had “made a mistake.” Financial firms couldn’t regulate themselves.

Using humor, the film helps us comprehend what happened. Despite the complications of understanding all the details of the transactions in the film, the basic story is clear. We become involved with the characters. One of the most interesting individuals is Michael Burry (Christian Bale), an eccentric.  He’s an ex-doctor and a Capital hedge fund manager who wears shorts to the office, doesn’t wear shoes, and plays a mean set of drums.

The story of these fraudulent systems is like Chicken Little – the sky is falling, but most people refused to believe it. When millions lose their homes, reality hits. We see them living in their cars or tents. It’s painful.

Despite years of unethical and criminal behavior, only one banker went to jail, and the others were bailed out.  The regulations that led to this have not been substantially changed. It might happen again.

The acting and editing are excellent. This is one of the best films I’ve seen this year.

Oscar nominations: Best Picture, Best Supporting Actor (Christian Bale), Best Director (Adam McKay), Best Film Editing, and Best Adapted Screenplay.

Running Time: 130 minutes

Amazon.com: DVD available for Pre-Order.

Review by Lois Siegel
Trailer


Dean Kamen
 

Dean Kamen is best known as the inventor of the Segway, a Personal Transporter that has two wheels and is a self-balancing electric vehicle controlled by shifting body weight.

Many people think it’s just a luxury toy like the go-kart, but it’s not. When I was a guest speaker at St. Andrew’s College, Laurinburg, North Carolina, I was surprised to see a physically challenged kid zoom into class on a Segway. Only then did I realize one of the outstanding uses of the Segway: Physically challenged kids were able to move around the campus with ease and speed.

Kamen likes technology and machines… it’s their efficiency. They deliver.
He creates inventions to give people a better quality of life. “I’ve never been afraid of any machines,” he insists.  His company is DEKA in Manchester, New Hampshire.  Four hundred people work for him, building medical equipment.

He certainly doesn’t know the different between work and play. It’s one and the same to him. He says you have to be lucky to find work you love. 

Kamen is eccentric and extremely interesting. He lives in a house with secret passages and hops into his helicopter in the morning to ‘drive’ to work. He also flies his own jet.  His closet is jam-packed with blue denim shirts and pants. He wears the same-looking clothes every day. This must make his life easier because he doesn’t have to think about what he is going to wear.

SlingShot is a biographical documentary about Kamen and his many inventions, with a special emphasis on a water purification system called “Slingshot”- intended to empty one-half of the hospital beds in the world by giving people clean water.  Twenty percent of the population goes to bed sick because of water-borne pathogens they consume.

The key is that Kaman’s machine is simple to operate.  It changes dirty water into good water. This is not just a technological problem; it’s a distribution problem. How do you get the machines to the people and then educate them about the device to convince them to use it?  He solves these types of problems.

Kamen dedicates his life to creating machines that help people in need. He has over 440 patents. His inventions include a prosthetic arm, a home dialysis machine, and a pharmaceutical system that delivers insulin. He has also started a robotic program for students.

How does he do this? “You have to take a big intellectual leap,” he explains. “Every decision is a compromise.” He realizes that people accept new ideas very slowly.  Kamen survives because he is an optimist, despite the fact that innovation is a difficult and frustrating process.

He is obsessively focused on his work. He doesn’t have children.  His inventions are like his children.

This is a film everyone should see. It’s inspiring to learn about this very unique man.

Running time: 88 minutes
Available from Amazon.com and the Ottawa Public Librar
y

Review by Lois Siegel
Trailer


Agents


Audrey's Costume Castle & Dancewear

"Await The Freight"


Mitch St. Pierre

Intermode Media
CBC
It will also air on Current TV (United States)

Produced by Intermode Media with the help
 of Story Editor Sue Stranks
 Director at the Canadian Film Television Production Association

Two daring travelers embark on the journey of a lifetime.

 
Mitch and Skot

Along the way they encounter countless difficulties and obstacles
 that come rolling with the wheelchair and living life off the beaten track.
Come along for the ride and see how they meet adversity and beat overwhelming odds.
Mitch, who has been diagnosed with a brittle bone disorder
sets out on this dangerous expedition in a wheelchair.



He faces unbelievable barriers when attempting freight train hops in the constraints of his chair. Accompanied by his best friend Skot
 the two document their story as they face the unknown in "Await the Freight."


Canadian Film Institute


FilmCan
Local Movie Listings

 

FOR IMMEDIATE RELEASE 07.02.2011
Ottawa, Canada
Contact: Danny McLeod T: +1 613 282-3858 E: danm@qpictures.com

NATIONAL CAPITAL TO BE MOVIE SET OF NEW DARK COMEDY

Quiet Revolution Pictures, Majika Pictures and Denmark's Fridthjof Films with the support of
Telefilm Canada and The Danish Film Institute will be filming the feature-length dark comedy,
"
Eddie" in the Nation’s Capital
.


Photo by Lois Siegel
Miriam Nřrgaard and Michael Dobbin
Producers


Photo by Lois Siegel
Boris Rodriguez, Director

Starring Thure Lindhart (Angels & Demons, Into The Wild), Georgina Reilly (Pontypool, This Movie is Broken), Al Goulem (18 to Life, The Trotsky) and Dylan Smith (300, Love & Savagery).

Production is scheduled to begin February 7, 2011.
Quiet Revolution Pictures:
www.qrpictures.com
Fridthjof Films: http://www.f-film.com
Telefilm Canada: www.telefilm.gc.ca/data/communiques/rel_1016.asp

Ottawa, ON Canada,  February 7, 2011 –the Nation’s Capital is being transformed into the set of a twisted, dark-comedy movie entitled "Eddie." The satirical story is about a once-famous painter who rediscovers inspiration after he befriends a sleepwalking cannibal. Telefilm Canada and the Danish Film Institute have partially funded the project to be directed by Boris Rodriguez (Havana Kids, Beso Nocturno) and produced by Ottawa native Michael A. Dobbin (The Devil’s Curse, Powerful: Energy for Everyone, The Maiden Dance to Death) and Ronnie Fridthjof (Armadillo, Tempo). “The National Capital Region is the ideal setting for this movie. I’m really looking forward to working here,” says Boris.


Photo by Lois Siegel
Michael Dobbin, Producer

Director Boris Rodriguez is a graduate of Concordia University and the Canadian Film Centre. Boris’ films Beso Nocturno (Night Kiss) and Perfect both had premieres at the Toronto International Film Festival (TIFF) and Beso Nocturno was selected for a retrospective at the Museum Of Modern Art in New York.

Michael’s past work as a producer includes Toni Harman's debut horror entitled The Devil's Curse (aka Credo), (currently available through Lionsgate and iTunes), David Chernushenko’s Powerful: Energy for Everyone as well as Endre Hules' The Maiden Danced to Death. Michael was mentored by BAFTA-winning producer of East is East, Leslee Udwin. He’s an alumnus of the film programme of Ryerson. In October 2006, Michael founded the ‘Just Watch Me!’ Canadian Film Festival and as a story editor, script doctor and lecturer is in steady demand on both sides of the Atlantic.

For further information:
Lois Siegel, Unit Publicist: >>>>>>>
Danny McLeod, Assistant Producer + 613 282-3858
danm@qrpictures.com



IFCO
The Independent Filmmakers
Cooperative of Ottawa


319 Lisgar
(Bank & Lisgar)
Ottawa, Canada
(613) 237-0769
Specializing in a unique collection of films
you can't find anywhere else.
Extensive selection of outstanding
 documentary films by independent filmmakers


Ottawa Film Society

Ottawa-Gatineau
Film Office



The Ottawa-Gatineau Film & TV Registry

 

The 2007-2008 edition of the Registry is available.

 

Visit our web site or call us to order your copy today.

 

 

WATSON PRODUCTIONS

1386 Richmond Rd., P.O. Box 32114

Ottawa, ON

K2B 1A1

 

tel: 613.759.0797

fax: 613.721.3953

info@watsonproductions.ca


Ottawa International Animation Festival

Teen Filmmaker First Local to Win

at Ottawa International Animation Festival

 


©Photo  by Lois Siegel
 

 Will Inrig's short, animated film
 "The Depose of Bolskivoi Hovhannes" won the
Adobe Prize for High School Animation

 

This is his first animated film and tells the story of a humble shepherd
on a wind-swept heath in Armenia, whose sheep begin to conspire against him.

 

Inrig gained significant attention last summer with his debut feature documentary film
 
"The Exceptional Jivatma Valettas" that chronicles his very eccentric next-door neighbours.
 The film
premiered at the Library and Archives Canada.

He is currently working on another feature documentary
 "The Fantastic Ballet of the Mind and Its Master," exploring the inner fantasies of the autistic mind.

The film is inspired by his younger brother who has been diagnosed with severe autism.
Inrig is working with
the National Film Board of Canada through
 the assistance of Oscar-winning producer Adam Symansky.
Acting as the film’s executive producer is renowned Canadian filmmaker
 and Order of Canada recipient Allan King ("Warrendale," "A Married Couple").
 

Inrig is mentored by Order of Canada recipient Alanis Obomsawin,
one of Canada’s most distinguished documentary filmmakers
 and Ottawa filmmaker Lois Siegel.

 

Inrig's first dramatic feature about an enigmatic alien landing in northern Ontario,
 is also being supported by the National Film Board of Canada



 

 "The Depose of Bolskivoi Hovhannes" was made as part of
Canterbury High School's Media Arts Program 

YouTube


Director: Will Inrig
Camera: Gordon Bailey
 

AUDIO: Will Inrig talks to All in a Day host Adrian Harewood on CBC Radio July 23, 2008


 International Launch of Mediateque


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