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The National Film Board of Canada

Reviews by Lois Siegel |
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The
National Film Board of Canada (NFB)
Canada: 1-800-267-7710
U.S.A: 1-800-542-2164
International: (514) 283-9450
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Earth to
Mouth
by
Yung Chang
2002
41 min 33 sec
Beta
Now you can watch full-length NFB documentaries,
animations and alternative dramas online.

Up the Yangtze (Trailer)
by
Yung Chang,
2007
2 min 46 sec |
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Animation |
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Cannes Festival
2006
The
Cannes Festival was the site of the NFB’s official
launch for the Norman McLaren Year
a special celebration as part of the
65th anniversary of animation film at the NFB.
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Glasses,
directed by
Brian Duchscherer,
22 minutes, 2001
Milo is a little boy who sees the world differently
from other children. The films has charming characters and terrific special
effects. "Glasses" premiered at
The Montreal World Film
Festival.
©Photo by Lois Siegel
Brian Duchscherer, 1997 |
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©Photo by Lois Siegel
Kai Pindal, Derek Lamb, Janet Perlman
Northern Stars
2005
Canadian animator, producer, writer and director, Derek Lamb has died. |
The Hungry Squid
directed by
John Weldon,
2002, 14 minutes
"The Hungry Squid," John Weldon's tale about a little girl who is left alone to
fend for herself, is full of great characters, strong
colors and wonderful Celtic-sounding music composed by Chris Crilly. It's a
very imaginative film using floppy puppets made by Lilian Kruip.
The puppets
are filmed flat on their backs. "I'm a drawing animator, so they didn't need
to stand up. We used the lightest fabrics we could get," Weldon
explains. The puppets were filled with aquarium grains, which make them feel
like a light beanbag. Most of the puppets have skeletons in them for
support. The right materials had to be designed to make them flexible.

Images were recorded directly into the computer and matted together with other
materials, and the backgrounds were mostly photographs. The ocean was Lake St.
Louis in Pointe Claire, Quebec. Weldon used Adobe Photoshop, Adobe After
Effects, and Adobe Premiere for editing; it took him a year to do the animation. "The Hungry Squid" premiered at
The Montreal World Film
Festival.
Genie Award for Best Animated Short, The Academy of
Canadian Cinema and Television, 2003
©Photo
by Lois Siegel
John Weldon, 1997 |
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Jeu,
Directed by Georges Schwizgebel
"Jeu" is a very captivating film.
The music is strong and becomes a main character with the animation.
I haven't seen this done so effectively before .

Scherzo
Transfiguro
by John Kerkhoven
Texte française originale |
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Madame Tutli-Putli, directed by Chris Lavis and Maciek Szczerbowski,
2007, 17 minutes
A fantastic voyage
by train at night…an hallucination with an outstanding use of light, color,
and startling sound effects; precise detail and intricate design. The
stop-motion animation took more than five years to complete. Portrait artist
Jason Walker created the technique of adding composited human eyes to the
stop-motion puppets. Not a children’s film.

Academy Award
Nomination Short Film Animated, 2008

A Model of Self-Preservation
by John Kerkhoven |
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©Photo
by Lois Siegel
Grant Munro, Norman
McLaren, Rene
Jodoin
Canadian Film Animators
National Film Board of Canada
1985
Norman McLaren
(1914-1987) |
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Norman McLaren
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My Grandmother Ironed
the King’s Shirts directed by Torill Kove, 1999, 10 minutes
“My Grandmother Ironed the King’s Shirts” is based
on a story told to Kove by her grandmother and is a co-production with Studio
Magica in Norway where Kove was born. “My grandmother was a bragger, and I
later found out that not all the stories she told were true,” Kove explains.
She once told me that my father was the first guy in Norway to own his own
car. I was only four or five and never questioned what she said. Then I
found out this wasn’t true. Maybe he was the first man on the block to own a
car.”
Ironing is the focus of Kove’s
film. “My grandmother lived with us, and everything had to be ironed,
including our underwear.” Norway was part of Sweden and before that part of
Denmark. As the film opens, it’s 1905, and an independent Norway wants to have
its own king, but they can’t find the rightful heir. Unemployed royals
apply. “Grandmother” is full of humor as a new king, Prince Karl of Denmark,
is elected. He can’t ski, like most Danes, his wife can’t speak Norwegian,
and neither of them can iron shirts. As well, there are no servants in
Norway…so they are doomed. We see an image of them in their un-ironed shirts
greeting the public.
A solution has to be found.
The local, respectable clothing store solves the problem. Then Kove’s
grandmother, an employee of the store, discovers that she is ironing the
King’s shirts, and she tells everyone.

When enemy soldiers invade the
country, grandma becomes a hero. She leads the resistance with a nation-wide
mobilization of shirt-ironers who, in many creative ways, sabotage the enemy’s
shirts.
The technique used in the film
is cel…and the cel painter, Anne Ashton, came to Norway for two weeks to walk
around and do a color study before choosing the colors for the film. Specific
details were added to the film. If you look closely, you will see that all the
German soldiers look like Hitler.
Kove also had help with
scriptwriting from her former Concordia University teacher, Stefan Anastasiu.

©Photo
by Lois Siegel
Torill Kove, 1999

The National Film Board of Canada
Parliament Hill Reception for Oscar Nominee
Film Animator
Torill Kove
February 2007
Synthesized Lives
by Paal Juliussen |
Sea and Stars
directed
by Anna Tchernakova and Georgine Strathy, 2002, 11 minutes
Color against a black and white background makes
this film outstanding.
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Walking Catfish Blues
directed by Paul Morstad, 2004, 4 minutes

Paul Morstad
It's the tune that will capture your imagination and pull you into the film.
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When the Day
Breaks directed by
Wendy Tilby and Amanda Forbis, 1999, 9 minutes
“When the Day Breaks” won the
Palme d’Or for Best Short at the 1999 Cannes Film festival. It also took two
prizes at the Annecy International Film Festival.
On
a Roll: NFB Film Wins At Cannes:
When
the Day Breaks
by Lois Siegel |
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Documentary |
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Baseball Girls
Directed by
Lois Siegel
80 min.
1995

©Photo by Lois Siegel
Michele Granger
From 7-year-olds playing baseball,
learning the rules of the game, to 60-year-olds playing slo-pitch
softball, BASEBALL GIRLS
explores the private and professional lives of
women obsessed with the sport they love. Using animation, archival
stills and live-action footage, this zany and affectionate feature documentary
details the history of women's participation in the largely male-dominated
world of baseball and softball.
Online
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The Boxing Girls of Kabul, Directed by
Ariel
Nasr, 52 minutes, 2011
Girls wearing boxing gloves is not a usual sight in Kabul,
Afghanistan. The Taliban are opposed to sports. The situation in Kabul
is calm during the filming, but that can change. If the current
government loses control, there will be trouble.
We follow three young girls who love the challenge of competition. It helps
them to forget their problems. They want to be professional
boxers. Their coach, Sabir Sharifi, is an ex-boxer
whose dream to compete in the 1984 Los Angeles Olympics was crushed
when the Soviets invaded Afghanistan. History is a harsh reminder.
Only a few years before, these same girls weren't allowed to leave their
home or go to school.
Now they train in the National Stadium, where girls were once stoned by the
Taliban. They don't have money for equipment, but they find ways around
this.
Their instructor says, "Keep your body tight.... Breathe like
you were blowing into a bottle." We see the girls hopping on one foot,
moving up stairs. They don't need fancy equipment.
For now, they are allowed to go out of the country to compete. Their first
match was in Vietnam. One of the girls says, “It was the first time I had
seen a ring, and there I was climbing into it.”

They also travel to
Kazakhstan and China. It's an exciting time for them -
exposure to other worlds. Despite financial problems and threats,
their father supports them - and they persevere.
Trailer
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Claude Jutra: An Unfinished
Story directed by Paule Baillargeon, 82 minutes, 2002
If you think you know
Claude Jutra, you will discover after viewing this film that you knew very
little about him, and his life remains a mystery even to those close to him.
Wonderful archival footage and photographs of Jutra's past, excellent interviews
with his friends, especially with
Saul Rubinek and Michel Brault.

©Photo by
Lois Siegel
Claude Jutra, 1979 |
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Jeff Mckay
Crapshoot: The Gamble with Our Wastes directed by
Jeff McKay,
52 minutes, 2003
Crapshoot is a very scary
documentary. When you discover what is being flushed into our sewers, your
confidence in the 'system' fades quickly. From motorcycles to tampons, to
antibiotics to copper, it all eventually decomposes and goes into the fields
as fertilizer where farmers plant the food that we will eat.
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Harmonie, directed by Bonnie Sherr Klein, 20 minutes, 1977
Every summer since 1953,
CAMMAC (Canadian Amateur
Musicians/Musiciens Amateurs du Canada) has held a bilingual music camp in
Québec's Laurentian Mountains. Here, people of all ages and levels of
musical ability come together to learn and make music with a professional
staff of Canadian and international musicians. |

Hold the Ketchup,
directed by Albert Kish, 20 minutes, 1977

©Photo
by Lois Siegel
The documentary focuses on new
Canadians and what they eat.

Funny, mouth-watering and visually delectable; it takes us
into the specialty food shops
where the ingredients are bought, and into the homes

where the food is prepared and served in the traditional way.

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Manufactured Landscapes,
directed by
Jennifer Baichwal,
80 minutes, 2006
Photography by Edward Burtynsky
For almost three decades, internationally renowned Canadian artist Edward
Burtynsky has been creating large-scale photographs of landscapes transformed by
industry.
"Manufactured Landscapes" follows Burtynsky to China as he travels the country capturing the evidence and effects of China's massive industrial revolution.

Genie Awards:
Best Documentary 2007
Toronto International Film Festival:
Best Canadian Film
Calgary International Film Festival:
Best Canadian Documentary
Atlantic Film Festival: Best
Canadian Documentary
Toronto Film Critics Association
Awards: Best Canadian Film & Best Documentary Feature
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Moving Pictures, by Colin Low, 47 minutes, 2000
In a 50-year career, Colin Low has
directed or produced 200 films, which have garnered a
remarkable nine
Oscar®
nominations. He directed
the world’s first 3D-IMAX® and high-definition
IMAX® films for the NFB. In 1996, Low was named a
Member of the Order of Canada. He is also a recipient of
Quebec’s highest honour — the Prix du Québec.

©Photo by Lois Siegel
Colin Low
"Colin Low's autobiographical doc -
"Moving Pictures" .... beautifully textured, thoughtful,
incisive. Low looks back on a life and a century dominated
by war and the role of the media in communicating images of
war. Understated, and fascinating - with images that are
startling at times. Reminded me of
Harold Innes' approach to history. If you are going to
write about communications through the written word - well
you start at the beginning - the Egyptians or however far
back he went. Low starts with the development of the copper
engravings - an art that he describes is an outgrowth of
war."
Comments by
Michael Ostroff, filmmaker, September 2, 2001. |
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Norman Jewison, Filmmaker, directed by
Douglas Jackson,
49 minutes, 1971
The film is an excellent behind-the-scenes look at the making of the feature film, "Fiddler on the
Roof" (1971).
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Shameless: The Art of Disability, Directed by
Bonnie Sherr Klein, 71 minutes, 2006
Bonnie Sherr Klein’s
latest documentary introduces us to five people with disabilities, whose
level in the art of living shames most able-bodied individuals. Their
passion for life, which unfolds as the documentary progresses, did not
spring from their brows full-borne, but came unto them through hard-won
success at daily trials and the application of an unspoken inner resolve,
which “Shameless” explores with honesty and tact.
A
Passion for Life (Bonnie Sherr Klein)
by Paal Juliussen |
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Ski
Bums, directed by John Zaritsky, 76 minutes, 2001.

From the Academy Award-winning director
of "Just Another Missing Kid," Ski Bums is a lively and fascinating
journey into the lives of people who have dropped out of mainstream society
to pursue a life centering on extreme skiing.

An excellent guide on
how to survive when you don't have any money. In one scene, a ski bum enters
a cafeteria full of people. These overfed individuals leave their discarded
plates on the table when they leave. Our ski bum states that he has
the pick of the lot as to what he will eat, and he comfortably sits himself
down in front of a plate of someone's leftover spaghetti.

John Zaritsky |
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The Socalled Movie
Directed by Garry Beitel, 90
minutes, 2010, Canada
Co-Produced by
reFrame Films and
The National Film Board of
Canada
He's the Jewish Cowboy of Klezmer Funk. He's a rapper who's not into
politics or religion.
And this film is about him, but it's also a celebration of creativity.
His name is Josh Dolgin, but they call him 'Socalled." He grew up in
Chelsea, Quebec,
where he played the piano, performed magic tricks, and drew cartoons
for The Ottawa Citizen's 'Teen Page."
Chicken "Freud" Rice and "Jazz Legends of the Animal Kingdom" - Charlie
Porker and Thelonious Mink.
But right now he's setting new standards for performance in Montreal.
Dolgin is a
musician who isn't afraid to experiment.
He can take a small sampling of a Klezmer tune and turn it into something
that reflects a mixture of cultures what he calls "Kosher Funk."
"People should get along," he says. He insists that people should
put aside their differences and celebrate them.
"I'm like the Mahatma Gandhi of hip hop," he says, "except I'm not as
skinny."
The film is filled with talented people playing good melodies and harmonies.
Socalled's side-kick is singer Katie Moore.
Her voice is lovely - reminiscent of Kate and Anna McGarrigle.
Dolgin is a collaborator: He tracks down artists of all ages:
Fred Wesley, trombone; Matt Haimovitz, cello; Irving Fields, piano.
His point: Generations can work together.
His explanation of show business: "This is it, Garry Beitel," he says to the
film director...
excitement, drugs, sex, violence.
No, it's more like waiting around, being very tired, hungry,
sexual frustration."
"The Socalled Movie is entertaining in a way you wouldn't expect.
It's full of surprises. Dolgin is very upfront about his life.
He's a good show. |
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Triage: Dr. James Orbinski's Humanitarian Dilemma, directed by Patrick
Reed, 88 minutes, 2007
Produced by
White Pine Pictures and
The National
Film Board of Canada
Dr. James Orbinski accepted the 1999 Nobel
Peace Prize on behalf of Médecins Sans Frontières
(MSF), aka Doctors Without
Borders, as their President. He was a field doctor during the Somali famine,
the Rwandan genocide, among other catastrophes. His story of helping
others, beyond what most people would do, is inspiring and clarifies
the situations in underdeveloped countries.
Trailer |
Unbreakable Minds

The National Film Board of Canada
Directed by
Abbey Jack Neidik
2004, 60 minutes,
Canada
Randy and Brad, both
in their thirties, are schizophrenic; Rob, in his early forties,
suffered a major depressive disorder. "Unbreakable Minds" gives us a raw glimpse
into their lives and the lives of those who live with and care for them.
Randy works as a
supermarket bagger and has a girlfriend. Brad delivers pizza and has a difficult
relationship with his father. Rob is very much alone in the world - most of us are not and cannot easily imagine ourselves to be. His mother has Alzheimer’s, and we learn that he had a brother who died of
AIDS.
Keeping
It Real: Families, Community, and Mental Illness
by John Kerkhoven |
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Up the Yangtze,
directed by
Yung Chang, 93 minutes, 2007, Canada
Produced by
EyeSteelFilm in co-production with
The National
Film Board of Canada
Background:
China is changing faster than most people realize.
One of the major disruptions to Chinese life is occurring along the Yangtze
River where the Three Gorges Dam resides. The dam is the largest
hydroelectric power station in the world. It's not expected to become fully
operational until 2011.
The potential benefits of the dam are
flood control because millions of people live downstream of the structure,
as well as hydroelectric power. The dam should reduce coal consumption by 31
million tons per year, cutting the emission of greenhouse gas. The downside
is that 2.3 million people have to relocate, including 4 million more by the
year 2020. Residents complain of government corruption and a lack of
proper assistance for relocation and there are hints that people who
protested the move were beaten and had their property destroyed.
Also, the dam sits on a seismic fault.

Three Gorges Dam
"Up the Yangtze" introduces teenagers
Cindy (Yu Shui)
and Jerry (Chen Bo Yu). Cindy comes from a poor family living on the edge of the
river, a family that barely survives by raising a few crops and very few
farm animals. The parents can't read or write. Their daughter must
postpone her education to earn money to send home. Jerry is an urban
only child, spoiled and over-confident. Both Cindy and Jerry find jobs on
a luxury cruiser that transports rich tourists along the Yangtze River as they view a last glimpse of the ancient version of China, a life that is
rapidly disappearing.

Excellent cinematography puts us right in the picture and the boat moves
through the locks into the Yangtze. We feel as if we are there.
Two lifestyles are contrasted in the film, that of
Cindy's family in the country, eking out a minimalist living and that of
Jerry, enjoying the city during an evening hanging out with friends. The
city has also changed.

Now we see cars instead of bicycles and
well-dressed young people toting shopping bags.

Then we see how Cindy and Jerry progress with their new
jobs on the luxury cruiser. Their lives are also in contrast to that
of the tourists. They are workers, and the work is difficult. They
have a lot to learn, whether it be how to greet the tourists: "Welcome
Aboard," as opposed to a mere "Hello;"
washing never-ending piles of dishes in the deck below; learning not
to ask for tips and not to call the Americans 'Foreign Devils." Their
instructor gives them Wal-Mart type pep talks and spews clichés like "When
there's a will there's a way," and "Rome wasn't built in a day."
We see the tourists singing "My Bonnie
Lies Over the Ocean," enjoying silly rhymes by entertainers who try to teach
them a few words in Chinese, and having their photos taken in elaborate
Chinese costumes.

The film is replete with contrasts.
These images stay with us and make us consider the volatile future of China. |
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Fiction |
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The Decline of the American Empire, directed by Denys Arcand, 102
minutes, 1986

Denys Arcand
Men talk about women and women talk about men.
It's clever and humorous, and you haven't seen another film like this one.
What has become of the relationships among the sexes? A quiet interlude in
the country reveals all.
The film won 9
Genie Awards in 1987: Best Motion Picture, Best
Achievement in Direction, Best Original Screenplay, Best
Achievement in Film Editing, and the Golden Reel Award.
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Filmmakers |
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New
York Film Festival
A Clown Outside
the Circus: Filmmaker Arthur Lipsett
By Lois Siegel

©Photo by Lois Siegel
1978
Remembering Arthur
Filmmaker Arthur Lipsett's close friend, Martin Lavut,
documents the influence
of the eccentric Oscar-nominated filmmaker
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Life After
Darth
by Steve Silberman
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Siegel's Home Page |
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